Thanks for all your replies and feedback it’s much appreciated.
Shawn:
Thanks for taking the time to make an extensive reply. Yes we made it from scratch, I did a lot of the interior work (foam skull etc.), my fiancé did all the sewing and we worked together on the designing the fabric pattern.
I agree with everything you said about the mouth. Particularly wrapping the fur around and the spacing of the hinge to a small degree. Differing lengths of hair is also noted, I’ll keep it in mind.
…when you sew them together you "ease" or gather the red fur fabric in to fit the smaller white fur. I can give more detail on that if you need it.
I might have to call you on that. I’ll have a chat with the fiancé first she may already know what you mean. And I should elaborate what I meant when I spoke about changing colours. I’ve been considering changing the red on the back of the ears to black to better reflect the look of an actual fox and to a lesser extent considering turning the paws to black as well for the same reason. A lot of first reactions I got of the puppet is that it was a cat and not a fox and I’m just trying ideas to make it immediately apparent visually that it’s indeed a fox and not another domestic animal. A different type of fabric for the paws is a great idea and one I’ll definitely try.
I would really like to have legs for scenes of him while sitting on a lounge. A separate puppet makes sense, but I’m interested in how you use the word ‘prop’. Are you talking about attachable legs for example? I’m trying to figure out in my head how that works.
Upon observing my dog, I’ve come to the conclusion that the majority of the emotion comes the tail and the ears. Thus my logic behind a tail (with control) and animatronics for the ears. The ears are more important to me as I think they A) add more depth to the character (in context with the story), and B) will more likely get more screen time than the tail. I know it sounds like I’m biting off more than I can chew, but I’d rather take the time to try and make the ears work and fail, than to not try at all. I’m not looking to get full range of movement, just any basic movement to help add emotion to the character.
Loki:
Thanks for your kind words. A first time doing something is always a proud moment. I love Red as he is but I feel that there is room for improvement and I’ve taken shortcuts in video projects before and it’s never as good as spending a bit more time doing the proper preparations.
When the time comes I will surely be sharing the series with everyone, but for the moment I can’t share too much just yet.
Dorian:
Thanks for pointing us towards that thread, it’s very… eye opening. Sorry, bad joke I couldn’t help myself. But yes, it is a good read.
I do have an amber glass bead on him at the moment but because they’re transparent, they bend into the red fur backing.

I thought of painting the back of the eyes white, much like the tread you referenced, but not sure how much that would help.
Thanks for your opinion on the ears, I’m still experimenting and I’m trying to balance the line between realism and stylized but I’ll keep it in mind.
Snail:
I think I’d prefer the control of a rod-controlled tail. Being part of a video It would be better to have more control than it being convenient. And I do have a few gags for his tail, although maybe not to the extent you’re talking.